July 15, 2006
The Perfect Storm
Spoilers in this one, so if you haven’t seen a middling-bad six year old movie and still want to, tread with caution.
Things:
- Movies in which all the main characters die are stupid. They just are. Yes, it subverts expectations or whatever, but fuck that. It just feels futile and pointless.
- Movies in which all the main characters have no characterization are even stupider. Here’s what we know about the soon-to-die people: George Clooney is grizzled and possibly washed-up; Marky Mark has a mercurial hot-head woman who loves him; the scruffy guy was almost successful hitting on the chick at the bar; the blind guy from Contact has a temper; John C. Reilly has a divorced wife and a young son who is a terrible actor; the black guy exists. Tell me I’m supposed to care about these people. Now try to mean it.
- Tragically, the picture quality in the movie was terrible. Oh, it was still better than a DVD, but not by much. This is the sort of movie where I can legitimately see people saying, “Well, it’s better than DVD, I guess, but I don’t get the big deal.” Lame! We’re still in a launch period, people, let’s try harder.
- Much of the movie was completely unrelated to the actual plot. There’s the meteorologists, who exist only as a convenient narrative device; there’s the people on a sailboat, who exist for no purpose at all; there’s the rescue people, who exist only to show how much being a rescue person totally sucks. But none of them ever so much as SEE the main characters, so why are they in the movie so much? Answer: There’s no real plot, so the movie proper would have taken 25 minutes, and needed padding.
Overall verdict: Highly lame. Stupid movie about stupid people dying stupidly, and I never cared at all, except for at the end when sheer manipulativeness made me lump up a bit (amazing what you can do with a eulogy accompanied by a stringy soundtrack), and it doesn’t even look stunningly awesome. Skip it!